An Object-Relational Interpretation of Thomas Mann’s “Death in Venice”

The protagonist of Thomas Mann’s novella “Death in Venice” is examined in terms of object-relational theory. Splitting, his primary defense mechanism, which is employed both intrapsychically and interpersonally, is discussed at length, as is his problematic relationship with his parents, which has resulted in his fixation in the paranoid/schizoid position and his ultimate destruction.